First off, i've hit 1000 views. doesn't seem like that large a number, but when i started this back in...um...whenever i started it, i never thought that'd happen. or that i'd start averaging over 100 views a month. thanks all. i do wonder how many of you really exist. lol

The trombone concerto has been tabled for the moment. Got a phone call from a buddy of mine demanding i finally finish SOMETHING for him by May. he preferred it be an unaccompanied piece. Aight, i can do that. bye bye concerto which has given me acid reflux. Hello unaccompanied trombone solo!

It's title is K.A.H! I don't normally hit titles first, but this was a must. I'm also a huge fan of acronym names. This one is a double homage- first, to the greatest robot ever fictionally created; Bender. secondly, written in solidarity with everyone else getting royally screwed by the government in the US. Solidarity with Wisconsin in their fight to actually be able to collectively bargain their whole contract, not just their wage (i'm sure they'll lose all benefits soon "to save money." Austerity is BS.). Written in solidarity with those in Michigan that face the possibility of losing local government entirely ("oh, a 3rd party firm decides your town is in a crisis? I (the governor) shall appoint a person in charge of said town, dissolve the government, and give this person totalitarian rule of your town till the 'financial crisis' is over. Bye bye local government, voting, and all public workers!" I do hope they keep one cop around, maybe a fire engine...maybe...).

You can decipher what K.A.H! stands for. I've given a large hint

Later i'll post on content. It led to quite the disagreement. The suggestion was made that i use material from this in my concerto. my answer "that's not really going to work..." this led to about a 15 minute discussion that seriously just went in circles. I hold to my opinion, as it also stems from how i feel about large ensembles (unwieldy cumbersome beasts with coordination issues.). when your theme/basic material is so hard that an elite soloist has difficulty then transferring that to a large ensemble seems...well, pretty damn hard.

especially when you open with multiphonics through a harmon mute. lol

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